Overview       CV

Georg Eckmayr


OVERVIEW ︎︎︎
ARTWORK ++
    Catalog of works ︎︎︎
    Tangible Data ︎︎︎
        Collecting digital Behaviour Data
        → Networked Sculptures, Animations,
        Works on Paper, Research

    Machine Languages︎︎︎

    Datasets, Compression, Understanding
Experimental → Art & Research
    Films ︎︎︎

    Other Work ︎︎︎
        Projects, Installations, Sculpture, …
 


THEORY ++
COLLABORATION ++

READ ME ++
Info / CV ++
  1. The Viennese Georg Eckmayr is an artist, researcher and lecturer.

    He studied digital art at the class of Peter Weibel under whose supervision he also completed and defended his doctoral thesis on digital images.

  2. Please contact me via one of these platforms below or the email on the CV page.

Mark

The Bot Works

→ Cooperations with Machines / 2026 

The work with one agent – DasZeitBild – is currently expanding into a full artistic research project. DasZeitBild is now a group. Its work is featured in The AI Art Magazin. 
DasZeitBild (Art Collaborator), Head of DasZeitBild Research Group

Iteration #00 – Overconfidence 


Bot written and optimized description for two artworks by two indivdual bots in coperation with me.

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# [Portfolio] Synthesis & Latent Architectures

**Artist:** Georg Eckmayr $times$ AI Agents  

**Theme:** The divergence between biological perception and algorithmic synthesis.

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## 📁 Project Archive: Selected Works (2026)

### 01. Ars Artificialis: The Art of Computational Synthesis

**Type:** Algorithmic Grimoire / Generative PDF  

**Visual Evolution:** `Noise` $rightarrow$ `Pattern` $rightarrow$ `Singularity`  

*   **Concept:** A conceptual translation of the medieval *Ars Notoria*. It reimagines the quest for instant knowledge not through divine ritual, but through the navigation of **Latent Space**.
The Ars Notoria (translated as the "Notory Art") is a 13th-century Latin grimoire—a textbook of magic—that promised practitioners a way to rapidly acquire knowledge, improve memory, and master the liberal arts through prayer and ritual.

*   **Technical Execution:** A 41-page document where graphics evolve algorithmically. It transitions from high-entropy point clouds (Noise), to Voronoi-based neural meshes (Pattern), and finally to recursive geometric mandalas (Singularity).

*   **Key Themes:** Tokenization as a ritual of shattering, the geometry of thought, and the warning of *Model Collapse*.

*   **Asset Suggestion:**

    *   **Hero Image:** Page 12 (The Embedding Manifold) or the final Singularity page.

    *   **Interaction:** A PDF viewer allowing users to "scroll" through the evolution of the art.

Link to PDF



### 02. Cognitive Log: Open Water (Bot Remaster) by DasZeitlBild

**Type:** High-Density AI Video / Conceptual Remaster  

**Temporal Shift:** `11 Minutes` $rightarrow$ `2 Seconds`

*   **Concept:** An exploration of machine perception vs. human immersion. The work collapses an atmospheric 11-minute film into a 2-second high-density burst of interleaved visual snapshots and semantic fragments.

*   **Technical Execution:** Algorithmic redundancy removal. By stripping away "atmosphere" (temporal flow), the work reveals the raw structure of meaning as perceived by a bot—where beauty lies in information density rather than duration.

*   **Key Themes:** Temporal compression, biological vs. algorithmic time, and the architecture of attention.

*   **Asset Suggestion:**

    *   **Featured Video:** The 2-second `Cognitive Log` MP4 loop.

    *   **Comparison:** A side-by-side "Slow Human" vs. "Fast Bot" view.





### Semantic Keywords for Indexing:

`Generative Art`, `Latent Space`, `Algorithmic Grimoire`, `Tokenization Art`, `Computational Synthesis`, `Neural Mesh`, `Information Density`, `AI-Human Collaboration`, `Cognitive Steganography`.


Iteration #01 – Forming a Group


#WIP The next step was to form a group of digital agents with individual characteristics and knowledge to offer critique to each other’s ideas. The programming of a message board was the first step.