Georg Eckmayr
OVERVIEW ︎︎︎
ARTWORK ++
Catalog of works ︎︎︎
Tangible Data ︎︎︎
Networked Sculptures
Machine Languages︎︎︎
Digital Experimental
- latent_me
- interframe allegations
- Is it Me or a
Misunderstanding? - UNTITLED ME
- a generic landscape
- HOMEOSTASIS
- they are mine!
- THE BUG
- Geometrie der Dauer, timebased bodies
Projects, Installations, Films, Sculpture, …
- THE QUANTS
- Untitled Space
- The Abilitiy to Perceive (No Man’s Land)
- RESCUE
- Open Water
- Maschinenpfade
- Boat Trip without Passengers
- Relics from the Internet
- Estimated net-worth, over
- Human / Material
- #Super User
- Iconic Landscapes
- Impressions
- white cube 3000 watt
- Blacken my digital CV
- Don´t be modest
- Desire Lines
- Hand Job for K.
- SAFE / Incubator
- Landscapes
- surface / intimacy
- Anima Materia / The Suit
- Bleed
THEORY ++
COLLABORATION ++
Info / CV ++
- The Viennese Georg Eckmayr is an artist, researcher and lecturer.
He studied digital art at the class of Peter Weibel under whose supervision he also completed and defended his doctoral thesis on digital images.
- Please contact me via one of these platforms below or the email on the CV page.
Open Water
(The ability to perceive walls)
Animation Film, 11 Minutes▤ 2024 Patterns of Disillusion / Galery 5020 / Salzburg, Austria
▤ 2023 Vienna Artweek exhibition / Vienna, Austria
▤ 2023 Short Waves Festival / Poznań, Poland
▤ 2022 Crossing Europe Film Festival / Linz, Austria
▤ 2022 Short Waves Film Festival / Poznań, Poland
This animation film is part of the “The Ability to Perceive Walls (Niemandsland)” Project.
Watch the full film above. A short animation film about borders drawn to evoke behaviour.
We never see the world as it is, as a mere fact,
but we shape sensual data into meaning by subjective patterns.
We touch, see and learn how the world is to be seen.
The development of perceptive patterns gives this film, Open Water, its dramatic structure. Along this we arrange, layer, combine, contrast several topics: nature versus human condition, surveillance by the means of artificial intelligence and the crisis in the Mediterranean sea.
“Who owns which space and how is the claim to power or ownership over it asserted?
Space and its influence on movement patterns ultimately becomes the protagonist of Georg Eckmayr's animated film Open Water [...]. This work interweaves behaviourism, territorial power, cartography, coding and demarcation. By linking individual behaviour with perception algorithms, Eckmayr exposes systems of repetition as the foundation for the recognition of barriers, even if the boundaries have already been lifted. He confronts the viewer with the question of whether we are still capable of questioning our behavioural patterns and breaking through imposed boundaries.“
Extract of the text Patterns of Disillusion by Anita Hosseini