Georg Eckmayr
OVERVIEW ︎︎︎
ARTWORK ++
Catalog of works ︎︎︎
Tangible Data ︎︎︎
Networked Sculptures
Machine Languages︎︎︎
Digital Experimental
- latent_me
- interframe allegations
- Is it Me or a
Misunderstanding? - UNTITLED ME
- a generic landscape
- HOMEOSTASIS
- they are mine!
- THE BUG
- Geometrie der Dauer, timebased bodies
Projects, Installations, Films, Sculpture, …
- THE QUANTS
- Untitled Space
- The Abilitiy to Perceive (No Man’s Land)
- RESCUE
- Open Water
- Maschinenpfade
- Boat Trip without Passengers
- Relics from the Internet
- Estimated net-worth, over
- Human / Material
- #Super User
- Iconic Landscapes
- Impressions
- white cube 3000 watt
- Blacken my digital CV
- Don´t be modest
- Desire Lines
- Hand Job for K.
- SAFE / Incubator
- Landscapes
- surface / intimacy
- Anima Materia / The Suit
- Bleed
THEORY ++
COLLABORATION ++
Info / CV ++
- The Viennese Georg Eckmayr is an artist, researcher and lecturer.
He studied digital art at the class of Peter Weibel under whose supervision he also completed and defended his doctoral thesis on digital images.
- Please contact me via one of these platforms below or the email on the CV page.
endless_song#1
(a ritual machine)
How would a group form and interact that communicates wordlessly, organizing itself into a collective presence through tapping gestures and triggering the individual voices of a choir?
The endles_song#1 is composed from 7 independent voices. One audio-visual loop serves as the background voice that is always present. Six further voices will be instantiated by the audience through their smartphones. Each QR code represents one voice of the endless_song#1.
By asking participants to activate the choir through their own mobile phones, the work reaches directly into their personal, handheld space, an intimate zone normally reserved for private communication. The simple act of tapping their screens becomes a bodily gesture that links their device, their touch, and their voice-triggering role within a collective presence.
There is also a digital only version below. Play the movie and scan the QR codes to perfom the work.
From : Affective Computing, by Rosalind W. Picard
